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NEW QUESTION: 1
Mathew ascended three flights of stairs--passed half-way down a long arched gallery--and knocked at
another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the
room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had
done speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the
threshold, with her candle in her hand.
Not tall, not handsome, not in her first youth--shy and irresolute in manner--simple in dress to the utmost
limits of plainness--the lady's-maid, in spite of all these disadvantages, was a woman whom it was
impossible to look at without a feeling of curiosity, if not of interest. Few men, at first sight of her, could
have resisted the desire to find out who she was; few would have been satisfied with receiving for answer,
She is Mrs. Treverton's maid; few would have refrained from the attempt to extract some secret
information for themselves from her face and manner; and none, not even the most patient and practiced
of observers, could have succeeded in discovering more than that she must have passed through the
ordeal of some great suffering at some former period of her life. Much in her manner, and more in her face,
said plainly and sadly: I am the wreck of something that you might once have liked to see; a wreck that
can never be repaired--that must drift on through life unnoticed, unguided, unpitied--drift till the fatal shore
is touched, and the waves of Time have swallowed up these broken relics of me forever.
This was the story that was told in Sarah Leeson's face--this, and no more. No two men interpreting that
story for themselves, would probably have agreed on the nature of the suffering which this woman had
undergone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on
her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had
suffered, the traces it had left were deeply and strikingly visible in every part of her face.
Her cheeks had lost their roundness and their natural color; her lips, singularly flexible in movement and
delicate in form, had faded to an unhealthy paleness; her eyes, large and black and overshadowed by
unusually thick lashes, had contracted an anxious startled look, which never left them and which piteously
expressed the painful acuteness of her sensibility, the inherent timidity of her disposition. So far, the
marks which sorrow or sickness had set on her were the marks common to most victims of mental or
physical suffering. The one extraordinary personal deterioration which she had undergone consisted in
the unnatural change that had passed over the color of her hair.
It was as thick and soft, it grew as gracefully, as the hair of a young girl; but it was as gray as the hair of an
old woman. It seemed to contradict, in the most startling manner, every personal assertion of youth that
still existed in her face. With all its haggardness and paleness, no one could have looked at it and
supposed for a moment that it was the face of an elderly woman. Wan as they might be, there was not a
wrinkle in her cheeks. Her eyes, viewed apart from their prevailing expression of uneasiness and timidity,
still preserved that bright, clear moisture which is never seen in the eyes of the old. The skin about her
temples was as delicately smooth as the skin of a child. These and other physical signs which never
mislead, showed that she was still, as to years, in the very prime of her life.
Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely
reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in
connection with her face, was not simply incongruous--it was absolutely startling; so startling as to make it
no paradox to say that she would have looked most natural, most like herself if her hair had been dyed. In
her case, Art would have seemed to be the truth, because Nature looked like falsehood.
What shock had stricken her hair, in the very maturity of its luxuriance, with the hue of an unnatural old
age? Was it a serious illness, or a dreadful grief that had turned her gray in the prime of her womanhood?
That question had often been agitated among her fellow-servants, who were all struck by the peculiarities
of her personal appearance, and rendered a little suspicious of her, as well, by an inveterate habit that
she had of talking to herself. Inquire as they might, however, their curiosity was always baffled. Nothing
more could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of
her gray hair and her habit of talking to herself, and that Sarah Leeson's mistress had long since forbidden
every one, from her husband downward, to ruffle her maid's tranquility by inquisitive questions.
What does the author mean with the statement "In her case, Art would have seemed to be the truth,
because Nature looked like falsehood"?
A. Usually women would have been presented in Art as natural as possible but in the case of Sarah, Art
would have made improvements to Nature.
B. Normally Art is perceptibly copying that which is natural (Nature), and this is reversed in the case of
Sarah.
C. Artists would have had to modify Nature by painting her hair a different color than gray.
D. Nature made Sarah look like a falsehood rather like Art.
E. Artists would not have used Sarah for a pose unless it was from the eyes downward.
Answer: B
Explanation:
Explanation/Reference:
There is a saying that Art imitates Life (or Nature). The author is saying that due to the extreme and
unusual effects of this trauma on the woman, Life or that which was real; Nature looks more of the
imitation rather than Art.

NEW QUESTION: 2
クリックして各目標を展開します。 Azureポータルに接続するには、ブラウザーのアドレスバーに「https://portal.azure.com」と入力します。






すべてのタスクの実行が完了したら、[次へ]ボタンをクリックします。
[次へ]ボタンをクリックすると、ラボに戻ることはできません。残りの試験を完了する間、採点はバックグラウンドで行われます。
概観
試験の次のセクションはラボです。このセクションでは、ライブ環境で一連のタスクを実行します。ほとんどの機能はライブ環境と同じように利用できますが、一部の機能（コピーと貼り付け、外部のWebサイトに移動する機能など）は設計上は利用できません。
スコアリングは、ラボで述べられたタスクの実行結果に基づいています。つまり、タスクをどのように達成するかは関係ありません。タスクを正常に実行すると、そのタスクのクレジットを獲得できます。
ラボの時間は個別に設定されていないため、この試験では、完了する必要のあるラボが複数ある場合があります。各ラボを完了するのに必要なだけ時間を使用できます。ただし、時間を適切に管理して、指定された時間内にラボおよび試験の他のすべてのセクションを完了することができるようにする必要があります。
ラボ内の[次へ]ボタンをクリックして作品を送信すると、ラボに戻ることができなくなりますのでご注意ください。
ラボを開始するには
[次へ]ボタンをクリックしてラボを開始できます。
オンプレミスのWindowsファイルサーバーからAzure Storageにバックアップファイルとドキュメントを移動する予定です。
バックアップファイルはblobとして保存されます。
corpdata7523690n2という名前のストレージアカウントを作成する必要があります。ソリューションは次の要件を満たす必要があります。
* Windows Server 2016を実行するAzure仮想マシンからドライブマッピングを介してドキュメントにアクセスできることを確認します。
*文書に可能な限り最高の冗長性を提供します。
*ストレージアクセスコストを最小限に抑えます。
Azureポータルから何をすべきですか？
Answer:
Explanation:
See solution below.
Explanation
Step 1: In the Azure portal, click All services. In the list of resources, type Storage Accounts. As you begin typing, the list filters based on your input. Select Storage Accounts.
Step 2: On the Storage Accounts window that appears, choose Add.
Step 3: Select the subscription in which to create the storage account.
Step 4: Under the Resource group field, select Create New. Create a new Resource

Step 5: Enter a name for your storage account: corpdata7523690n2
Step 6: For Account kind select: General-purpose v2 accounts (recommended for most scenarios) General-purpose v2 accounts is recommended for most scenarios. . General-purpose v2 accounts deliver the lowest per-gigabyte capacity prices for Azure Storage, as well as industry-competitive transaction prices.
Step 7: For replication select: Read-access geo-redundant storage (RA-GRS) Read-access geo-redundant storage (RA-GRS) maximizes availability for your storage account. RA-GRS provides read-only access to the data in the secondary location, in addition to geo-replication across two regions.
References:
https://docs.microsoft.com/en-us/azure/storage/common/storage-quickstart-create-account
https://docs.microsoft.com/en-us/azure/storage/common/storage-account-overview

NEW QUESTION: 3
You are on your company's development team. You noticed that your web application hosted in staging on GKE dynamically includes user data in web pages without first properly validating the inputted data. This could allow an attacker to execute gibberish commands and display arbitrary content in a victim user's browser in a production environment.
How should you prevent and fix this vulnerability?
A. Set up an HTTPS load balancer, and then use Cloud Armor for the production environment to prevent the potential XSS attack.
B. Use Web Security Scanner to validate the usage of an outdated library in the code, and then use a secured version of the included library.
C. Use Web Security Scanner in staging to simulate an XSS injection attack, and then use a templating system that supports contextual auto-escaping.
D. Use Cloud IAP based on IP address or end-user device attributes to prevent and fix the vulnerability.
Answer: C
Explanation:
https://cloud.google.com/security-scanner/docs/remediate-findings

NEW QUESTION: 4
Referring to the traceroute output exhibit that is shown,

which statement is correct?
A. There is no problem with the end-to-end LSP as indicated by the successful trace.
B. At each hop, each LSR is able to perform label swapping.
C. The end-to-end LSP is broken at hop 4.
D. Normal PHP operation is performed by the hop 4 router.
Answer: C